On holiday I met quite a few people of similar age who quite openly said that they enjoyed doing nothing, quite content to sit for long periods of time just staring out to sea. If this is what you want then fine. However I like to surround myself with people who still have a zest for life and who are still excited with the prospect of what they can do next! Age should never be a limiting factor in pursuing your dreams.
From time to time I am going to pass the gauntlet on my blog to friends who are pursing their dreams. Here is one of them. If music is your thing you will certainly appreciate the passion and dedication of Alan!
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Planning for retirement? Record an album!
When I worked in training & development, I organised my
first pre-retirement course at the age of twenty-seven, so I’ve had plenty of
time to figure out what to do when it eventually happens for me (which will probably
be in a couple of years or so)!
I’ve been incredibly lucky in that my lifelong pastime of
playing and writing music will hopefully now provide plenty of projects for the
future – on piano my style is kind of a cross between Randy Newman and Bruce Hornsby
and I can fortunately also do reasonable
guitar, bass, drums and vocals.
So, having played a lot of other people’s songs in bands,
about ten years ago I invested in some decent recording equipment and set about
recording my own back-catalogue of songs. Since then I’ve given up bands (too
much artistic angst at times!) and concentrated on playing solo, with keyboard,
12-string and vocals (more nerve-wracking but at least you’re in control of
things!).
On to my new album, ‘Storyteller’ – how did I actually set
about making it? Well, you have to play every role – songwriter, artist,
recording engineer, designer, producer and marketing agent – so it helps to be
mildly schizophrenic for a start!
Usually a thought comes to mind which forms the concept of a
song – for me, often a chorus. A good example of this on the new album would be
the song ‘Ridgeway’. I live quite close to the aforementioned pathway, and
sitting up there one day a few words came to mind ‘Ridgeway wanders through the
country, Ridgeway knows of Father Time, Ridgeway welcomes all who know her,
from Wessex Downs to Chiltern lime’.
A mad dash down the A34 muttering the words so as not to
forget them and on to the piano – shut your eyes and see what comes out. If I
start with words, I can usually form a concept of the song in my mind – ballad,
up-tempo, rhetorical etc. In this case a kind of ‘piano Dire Straits’ came to
mind and off I went. As an aside, I once wrote a song called ‘Leaving the South
Behind’ as I was driving up the M42. On that occasion I phoned the sung chorus
into my work voicemail as a backup.. good job my PA was on holiday!!
But usually I never record anything straight away, the idea
is that you should sleep on what you’ve written and if you can remember it the
next day, then it’s worth following up. I say ‘written’; for me that usually
means a few scribbled words and guitar chords. It’s a bit like having brief notes
when doing a presentation - a guide, and what comes out on the day just kind of
follows the structure.
Anyway, the verses often follow a few days later (I
sometimes cheat and do a bit of research on the Internet first, if the song is
about a place, for instance) and the next acid test is playing it live. The occasional
gigs I do are somewhat long (3 hours plus is not uncommon) so there is plenty
of time to pop in a few new songs here and there and see how they go down.
Depending on reaction, I modify things – you haven’t got to be too precious
about what you’ve originally written (that’s the ‘producer’ bit!).
Onwards to the studio. I usually start with a
piano or guitar, then start adding other parts – bass, drums, vocals etc. Some
of my earlier efforts suffered a little from not knowing when to stop adding
instruments, which a) caused a nightmare when mixing down and
b) caused audiences to comment that they weren’t buying the sound that I was
playing live.
So ‘Storyteller’ is very much a live sound – one piano or
guitar, vocals, some bass and maybe a few background synthesizer strings added,
but not straying too far from what you can produce live – just enough to give
the sound a bit of body. Now, my recording studio is not perhaps what you would
envisage. Unlike recording ‘All You Need is Love’, there are no hoards of
head-banded, pot-smoking, ‘hey man’ people – just me and all this equipment!
So, off we go…..
Recording the first track on, say, piano is often a
challenge. Especially with fewer instruments, you need to maximise the playing
and expression, but with no-one there to perform to (perhaps I do need the
hippies!). I don’t go in for lots of computer editing afterwards – you can lose
too much of the ambience of the song – so for me, what goes in is broadly what
comes out, so it has to be right. My usual routine is to keep playing the whole
piece until I’m happy – which can often be a few hours and many cups of tea
later - it used to be wine, but for some strange reason the playing got worse
when I thought it was getting better! Putting second, third instruments on then
becomes a bit easier as you have something to work with, listening to your
first recording through headphones as you play along.
After the instruments come the vocals and it’s best for me
to do those a couple of days after a live performance – my voice is a bit more
relaxed then. That is the only part where a microphone is used and any background
noise should be avoided…all the instruments are wired directly into the
recorder, so it doesn’t matter if a 32-ton juggernaut drives past!
Now you have your recorded song and the technical bit now
kicks in big-time, adding a few effects like reverb and compression to brighten
the instruments, getting the balance right between all the instruments and the
vocals, and making sure you have deleted any extraneous noises.
This part can often take as long as the recording, but what
you end up with is the first cd of your new album, recorded directly from the
recording desk. It is a truly wonderful feeling when a message pops up on the
screen of the desk asking if you have copyright permission to make this cd and
I always grin widely (now with the aforementioned wine) when I click ‘yes’!
I recorded ‘Storyteller’ at my house in France, so the next
part of the album journey was to bring it back to the UK for ‘mastering’. This
is the only part of the process I don’t do myself as it requires some expert
equipment and personnel. The album sound is filtered through various electronic
gadgets that boost certain frequencies etc, which has a similar effect to
polishing a brass candlestick! The whole sound comes out as fresher, as if you
are playing it in the same room. This is then called a ‘Red Book’ album and is
of the technical quality to be pressed and played on radio stations. Also,
there is a type of electronic bar coding added so that if the song is played on
the radio, it is identified and the royalties roll straight into your bank
account! So, my idea of retirement is……..
The last piece of the jig-saw is the album
cover. I tend to design my own and I like to put the words in, so I usually end
up with at least an 8-page booklet. I like a clean look and there are a number
of critical issues, not least of which are the title, colour, typeface,
pictures etc. For ‘Storyteller’, I chose one of the songs as the title, mainly
as all my songs usually tell little stories and went for a typeface called
HANA, which gave the right sort of ambience. For pictures, I used a couple of
my collection of gig’ photos, but also Googled ‘Storyteller’ and found an
interesting original print from a Norwegian professional storyteller. A few
e-mails later and I had his permission to use this on the front cover!
So that’s about it. I currently have the final proofs for
the album and am awaiting delivery of the first batch. Like most printing
things, it becomes cheaper the more you order, but some self-control is needed
otherwise you end up with a house full of unsold cds (cough)! Lots of this
first batch will be sent out to radio stations in the hope that the royalties
come flooding in…
What next, well I have thoughts of revisiting some of my
earlier material – the ones I currently play live – maybe ‘Another time around’
or something a title. Also, I have another interesting project on the go,
writing music for a one-hour musical/narration tribute for the centenary of the
Battle of the Somme in 2016. With a bit of luck, that might coincide with my
retirement - watch this space….
Alan
Garmonsway
3 March 2014
Alan Garmonsway has spent much of his
career in biosciences companies in Human Resources and Change Management. His
first gig was at the age of 15, to a bunch of skinheads in a church hall near
Sunderland. He survived that and went on to play in both folk and rock bands
before recording the first of his eight albums in 2001. His songs are regularly
played on Internet radio stations and he has a webpage at www.unsigned.com/alangarmonsway . If you are interested in purchasing the Storyteller album, just e-mail
him at alan@garmonsway.com .
